From 18 to 23 August 2025, P.a.S will support six Brazilian projects in development in Fortaleza with the help of Brazilian and European contributors. The projects selected for this edition are as follows:
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BUTCHERY / CARNE réalisé par Natália MARTINS et produit par Lucas LYRIO (Barra3 Filmes)
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ONÇA AND ARRUDAS / ONÇA E ARRUDAS réalisé par Matheus MOURA et produit par Antonio PEDRONI (Ursana Filmes)
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RIFT / FENDA réalisé par Lis PAIM et produit par Diego HOEFEL (Tela Tudo Produções)
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THE TALE OF TUCUM / O CONTO DE TUCUM réalisé par Tom EVENEY et produit par Clebson FRANSCISCO (Breu CC)
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THIS TOWN IS A DESERT WITHOUT YOU / ESTA CIDADE É UM DESERTO SEM VOCÊ réalisé par Ulisses ARTHUR, écrit par Raul DAMASCENO et produit par Allan DEBERTON (Deberton Filmes)
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WHEN IT ALL… / NESSAS HORAS réalisé par Isaac PIPANO, écrit par Isaac PIPANO et Thaís MANDARINO, produit par Maíra BOSÍ
The mentors accompanying them are:
· Tatiana Leite (Brazil – Bubbles Project)
· Vincent Wang (France-Taiwan – House On Fire)
· Camila Agustini (Brazil – Screenwriter)
· Gualberto Ferrari (Argentina-France – Screenwriter)
· Victor Lopes (Brazil – Pitching Expert)
· Janaina Bernardes (Brazil – Inflamável)
The workshop is part of the Brazil-France 2025 season, thanks to the valuable support of the Institut français. It is organised in partnership with Projeto Paradiso, Cena 15 and Porto Iracema das Artes — the State of Ceará government’s school for artistic training and creation, linked to the Department of Culture (Secult) and managed by the Instituto Dragão do Mar (IDM).
Since its creation in 2013, Porto Iracema das Artes has run the Cena 15 laboratory, designed in collaboration with filmmakers Karim Aïnouz, Marcelo Gomes and Sérgio Machado.
The P.a.S training programme, meanwhile, covers the field of feature film production and script development. It familiarises emerging producers from Latin America, Africa and Asia with a range of tools and working techniques through individualised support, alternating between group meetings and individual sessions.
